Sorted by: Highest Rated
| Publications (A-Z) | Critics (A-Z) | Favorite Critics
Chicago Sun-Times | Roger EbertAdd Critic to Favorites I can't single out a performance. This is a superb ensemble, conveying hat joy actors feel when hey know they're good in good material. This is not a traditional feature, but it's one of Spike Lee's best films.Read the full review
The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites Lee doesn’t exactly reinvent the wheel when it comes to filming live theater, but he moves the camera artfully and edits with an energy that matches the music.Read the full review
The New York Times | A.O. ScottAdd Critic to Favorites A show not simply preserved by Mr. Lee’s camera, but brought, somehow, to its fullest, strangest, most electrifying realization.Read the full review
The Hollywood Reporter | Justin LoweAdd Critic to Favorites In directing the film, Lee allows the show's inherent vitality to carry the doc, relying on Stew's charismatic stage presence, the cast's absorbing performances and the production's effective combination of minimal staging and impressive lighting design to convey the musical's energetic celebration of artistic discovery.Read the full review
Rolling Stone | Peter TraversAdd Critic to Favorites As for Lee, he clearly relates to this material and the questions of political, musical and family identity he himself raised in films as diverse as "Malcolm X," "Mo' Better Blues" and "Crooklyn."Read the full review
Variety | Dennis HarveyAdd Critic to Favorites This first-rate multicamera transcript of a terrific show should delight musical fans (and many who think they aren't) as a niche broadcast item.Read the full review